The poetry and the sacred in Sophia de Mello Breyner Andresen and Cecília Meireles
DOI:
https://doi.org/10.15448/1984-7726.2019.1.33827Keywords:
Landscape studies. Literatures in Portuguese. Poetry and sacred. Poetic referent.Abstract
This work analyzes the relations between poetry and sacred in the poetic works of Sophia de M. B. Andresen and Cecília Meireles, comparing the approaches to these issues in the verses of both authors. To study these relations, the French-based thematic critique is used, especially Michel Collot’s theses that point to the fact that poetry and sacred have a similar structure, which brings them closer together. It is this similarity that favors the convergence of such elements when both are taken as poetic reference in the work of the Brazilian writer and also in the work of the Portuguese author who was her confessed reader.
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References
ANDRESEN, Sophia de Mello Breyner. Obra poética I. Lisboa: Caminho, 1990.
ANDRESEN, Sophia de Mello Breyner. Obra poética II. Lisboa: Caminho, 1991a.
ANDRESEN, Sophia de Mello Breyner. Obra poética III. Lisboa: Caminho, 1991b.
ANDRESEN, Sophia de Mello Breyner. A poesia de Cecília Meireles. Metamorfoses, [S.l.], v. 1, n. 1, p. 61-71, 2000.
COLLOT, Michel. La poésie moderne et la structure d’horizon. Paris: PUF, 1989.
https://doi.org/10.3917/puf.collo.2005.01
COLLOT, Michel. La matière-émotion. Paris: PUF, 1997.
COLLOT, Michel. Le corps cosmos. Bruxelles: La Lettre Vollée, 2008.
COLLOT, Michel. Poética e filosofia da paisagem. Tradução de Ida Alves et al. Rio de Janeiro: Oficina Raquel, 2013.
MEIRELES, Cecília. Poesia completa. Rio de Janeiro: Nova Aguilar, 1994.
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