Cinema impuro: contaminações entre cinema e vídeo a partir de um olhar sobre a série “História(s) do Cinema”, de Jean-Luc Godard
Keywords:
cinema, ensaio fílmico, Jean-Luc GodardAbstract
Este artigo propõe uma apropriação da ideia de “cinema impuro”, segundo André Bazin, para pensar as contaminações mútuas entre o cinema e o vídeo, usando como objeto de análise a série de ensaios fílmicos produzidos para a televisão História(s) do Cinema, de Jean-Luc Godard (1998). À luz também das contribuições de autores como Philippe Dubois e Arlindo Machado, este trabalho busca colocar em questão a forma como Godard incorpora e combina referências das mais diversas expressões artísticas - sobretudo a literatura, a pintura e a música, além do próprio cinema – na produção de um pensamento audiovisual, e como as suas colagens poéticas e narrativas se apresentam num meio de materialidade essencialmente tão fluida quanto o vídeo.Downloads
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