Fotografias de trabalhadores de August Sander: paradigmas do século XIX para uma estética oitocentista
DOI:
https://doi.org/10.15448/1980-3710.2016.2.21843Keywords:
August Sander, século XIX, representação, proletariado, fotografiaAbstract
Este artigo aborda as fotografias de August Sander como representação do proletariado (conceito marxista), propondo o fotógrafo como partidário de uma estética oitocentista, informada por paradigmas do século XIX, como a ideia de fotografia como reflexo da realidade, linguagem universal, arquivo e o retrato científico e/ou policial, entre outros.
References
BARTHES, Roland. A câmera clara. Rio de Janeiro: Nova Fronteira, 1984.
BERGER, John. O traje e a fotografia. In: Sobre o olhar. Barcelona: Gustavo Gili Editora, 2003.
BRÜCKLE, Wolfgang. Face-off in Weimar Culture: Thephysiognomic paradigm, competing portrait anthologies, and August Sander’s Face of Our Time. Tate Papers, n. 19, mar/2013. Disponível em: <http://www.tate. org.uk/research/publications/tate-papers/face-weimar-culture-physiognomic-paradigm-competing-portrait>. Acesso em: 27 fev. 2015.
CRARY, Jonathan. Técnicas do observador: visão e modernidade no século XIX. Rio de Janeiro: Contraponto, 2012.
DOANE, Mary Ann. Modernity, contingency, the archive: the emergence of cinematic time. Cambridge: Harvard University Press, 2002.
GRIGORIADOU, Eirini. El archivo fotográfico y fisiognómico de August Sander. 2011. [On-line]. Disponível em: <http://globalartarchive.com/es/investigadores-asociados/doctorado/eirini-grigoriadou/fotografia-y-archivo-en-alemania-1920-1930/>. Acesso em: 7 abr. 2015.
KOSSOY, Boris. Fotografia e história. São Paulo: Ática, 1989.
LANGE, Susanne. Photo Poche: August Sander. Barcelona: Lunwerg Editores, 2008. LUGON, Olivier. El estilo documental: De August Sander a Walker Evans 1920-1945. Salamanca: Ediciones de la Universidad de Salamanca, 2010.
MARX, Karl; ENGELS, Friedrich [1848]. O manifesto comunista. Rocket Edition, 1999. Disponível em: <http://www.ebooksbrasil.org/adobeebook/manifestocomunista.pdf>. Acesso em: 22 fev. 2015.
ROSSI, Paulo José. August Sander e homens do século XX: uma realidade construída. 2009. Dissertação (Mestrado em Sociologia). Faculdade de Filosofia, Letras e Ciências Humanas, PUC-SP, São Paulo, 2009.
SEKULA, Allan. The traffic in photographs. Art Journal, v. 41, n. 1, 1981, p. 15-25. https://doi.org/10.1080/00043249.1981.10792441
https://doi.org/10.2307/776511
TAGG, John. El peso de la representación: Ensayos sobre fotografías e historias. Barcelona: Gustavo Gili Editora, 2005.
ZUNZUNEGUI, Santos. Pensar la imagen. Madri: Edições Cátedra, 2010.
Downloads
Published
Issue
Section
License
Copyright (c) 2017 Sessões do Imaginário
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
COPYRIGHT
The submission of originals to Imaginario implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Imaginario as the site of original publication.
CREATIVE COMMONS LICENSE
As this journal is open access, the articles are allowed free use in scientific and educational applications, with citation of the source.
According to the type of Creative Commons License (CC-BY 4.0) adopted by Imaginario, the user must respect the requirements below.
You are free to:
Share — copy and redistribute the material in any medium or format.
Adapt — remix, transform, and build upon the material for any purpose, even commercially.
However, only under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests Imaginario endorses you or your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
For more details on the Creative Commons license, please follow the link in the footer of this website.