BANG, BANG! Caravaggio, Rammstein e Madonna: sexo, violência e auto-representação em alegorias encenadas
Abstract
O artigo estuda as relações entre construção alegórica e encenação, relacionando-as com a auto-representação, tendo como recorte obras de Caravaggio, Rammstein e Madonna. O texto aborda, ainda, a relação da representação com o conceito do espetáculo total proposto por Richard Wagner.
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