TY - JOUR AU - Dal Farra, Maria Lúcia PY - 2013/08/19 Y2 - 2024/03/29 TI - Cecília e Ronald: conversas transversas com Pessoa JF - Navegações JA - Navegações VL - 6 IS - 1 SE - Ensaios DO - UR - https://revistaseletronicas.pucrs.br/index.php/navegacoes/article/view/14659 SP - 16-20 AB - <p align="left">A obra de Cecília Meireles, de um lado, e a de Ronald de Carvalho, de outro, parecem ter entrado em locução com a obra de Pessoa, assimilada de maneira diversa por cada um deles. Cecília, organizadora da primeira antologia brasileira onde Pessoa é privilegiado, foi acusada por Agripino Grieco de ter seguido “simiescamente” o Poeta português. Ronald não sofreu tal pecha e parece, ao contrário, ter quase ignorado Pessoa, ou (por uma razão insuspeitável) ter evitado divulgá-lo no Brasil. Este artigo procura investigar pistas e especular algumas suspeitas respeito.”</p><p align="left">.....................................................................</p><p>Cecília e Ronald: a dialog with Pessoa</p><p align="left">Abstract:</p><p align="left">&nbsp;</p><p align="left">&nbsp;</p><p><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><em><span style="font-family: AvantGardeITCbyBT-BookOblique;"><strong><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">The work of Cecilia Meireles on one hand, and Ronald de Carvalho on the other, seem to have entered in a dialog with Pessoa, though assimilated differently by each one of </span></span><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">them. Cecilia, organizer of the first Brazilian anthology where Pessoa is privileged, was accused </span></span><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">by Agripino Grieco of literally mimicking the Portuguese poet. Ronald suffered no such taint and seems, instead, to have almost ignored Pessoa’s work, or (for an unsuspected reason) decided to avoid releasing it in Brazil. This article intended to investigate some clues and speculate about some possible reasons about this.</span></span></strong></span></em></span></span></span></p><p>Keywords:</p><p>&nbsp;</p><p>&nbsp;</p><p><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><em><span style="font-family: AvantGardeITCbyBT-BookOblique;"><strong><strong><span style="font-family: TimesNewRomanPSMT; font-size: xx-small;"><span style="font-family: TimesNewRomanPSMT; font-size: xx-small;">Brazilian and Portuguese poetry; Literary interference; Modernism.</span></span></strong></strong></span></em></span></span></p> ER -