@article{Vilela_2013, title={Cortesias acacianas: ironia e boas-maneiras}, volume={6}, url={https://revistaseletronicas.pucrs.br/index.php/navegacoes/article/view/14668}, abstractNote={<span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><font face="TimesNewRomanPSMT" size="2"><font face="TimesNewRomanPSMT" size="2"><p align="left">O respeitabilíssimo conselheiro Acácio, talvez a personagem de maior sucesso e longevidade da galeria queirosiana, destaca-se, antes do mais, pela impecável cortesia verbal e gestual. Neste artigo, tentaremos entender e descrever a peculiar utilização dos códigos da cortesia e da urbanidade no desenho desta imortal personagem d’</p></font></font></span><font face="TimesNewRomanPSMT" size="2"><p align="left"> </p></font></span><p align="left"><em><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: x-small;"><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: x-small;">O Primo Basílio</span></span></em><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">. Atualizando uma espécie de ‘dicionário dos lugares-comuns’, a personagem pode mesmo, em nosso entender, considerar-se quase inteiramente construída pelo discurso da cortesia. Procuraremos, pois, aqui elucidar o modo como, neste romance de Eça, a convergência e o contraste entre tais códigos – nos domínios físico, discursivo, axiológico – são maioritariamente responsáveis pela criação do efeito irónico e pelo essencial do desenho da personagem.</span></span></p><p align="left"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">.....................................................................</span></span></p><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><strong><span style="font-family: TimesNewRomanPS-BoldMT; font-size: x-small;"><span style="font-family: TimesNewRomanPS-BoldMT; font-size: x-small;"><strong><font face="TimesNewRomanPS-BoldMT" size="2"><font face="TimesNewRomanPS-BoldMT" size="2"><p align="left">Abstract</p></font></font><span style="font-family: TimesNewRoman,Bold; font-size: x-small;"><span style="font-family: TimesNewRoman,Bold; font-size: x-small;">: </span></span></strong></span><strong><font face="TimesNewRomanPS-BoldMT" size="2"><p align="left"> </p></font><span style="font-family: TimesNewRoman,Bold; font-size: x-small;"><span style="font-family: TimesNewRoman,Bold; font-size: x-small;">: </span></span></strong></span><p align="left"><span style="font-family: TimesNewRoman,Bold; font-size: x-small;"><span style="font-family: TimesNewRoman,Bold; font-size: x-small;">: </span></span></p><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">The respectable Conselheiro Acácio, perhaps the most successful and lasting </span></span><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">character of the Eça de Queirós’ fictional gallery, stands out first and foremost, by impeccable verbal and gestural courtesy. In this paper, we will try to understand and describe the peculiar use of courtesy and civility codes in the design of this immortal character in </span></span><em><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: x-small;"><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: x-small;">O Primo Basílio</span></span></em><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">. </span></span><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">Activating a sort of ‘dictionary of </span></span><em><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: x-small;"><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: x-small;">clichés</span></span></em><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">’, the same character can, from our point of view, be considered almost entirely constructed by the civil codes of courtesy. Therefore, we look for elucidating how, in this novel by Eça, convergence and contrast among such codes – physical, discursive, axiological – are largely responsible for creating the ironic effect and for the essential </span></span><span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">designing of the character.</span></span><strong><span style="font-family: TimesNewRomanPS-BoldMT; font-size: xx-small;"><span style="font-family: TimesNewRomanPS-BoldMT; font-size: xx-small;"><strong><font face="TimesNewRomanPS-BoldMT" size="1"><font face="TimesNewRomanPS-BoldMT" size="1"><p>Keywords</p></font></font><span style="font-family: TimesNewRoman,Bold; font-size: xx-small;"><span style="font-family: TimesNewRoman,Bold; font-size: xx-small;">: </span></span></strong></span><strong><font face="TimesNewRomanPS-BoldMT" size="1"><p> </p></font><span style="font-family: TimesNewRoman,Bold; font-size: xx-small;"><span style="font-family: TimesNewRoman,Bold; font-size: xx-small;">: </span></span></strong></span><p><span style="font-family: TimesNewRoman,Bold; font-size: xx-small;"><span style="font-family: TimesNewRoman,Bold; font-size: xx-small;">: </span></span></p><span style="font-family: TimesNewRomanPSMT; font-size: xx-small;"><span style="font-family: TimesNewRomanPSMT; font-size: xx-small;">Eça de Queirós; </span></span><em><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: xx-small;"><span style="font-family: TimesNewRomanPS-ItalicMT; font-size: xx-small;">Conselheiro Acácio</span></span></em><span style="font-family: TimesNewRomanPSMT; font-size: xx-small;"><span style="font-family: TimesNewRomanPSMT; font-size: xx-small;">; Courtesy; Irony</span></span></strong></strong></span></span>}, number={1}, journal={Navegações}, author={Vilela, Ana Luísa}, year={2013}, month={ago.}, pages={67–76} }